Bits and Pieces Advent Set

Every evening after work, I try to accomplish something on various Ecclesiastical Sewing Projects.  Sometimes it is quite late before other obligations of the day are finished, and the enjoyment of sewing and hand embroidery can begin.  When the clock ticks faster than normal and the evening speeds by with these late starts on projects, it is often difficult to sit down and tackle anything major.  Rather than doing nothing, it is often a great time to tackle the bits and pieces of a vestment sewing project.

An order arrived about a week or so ago with these lovely Passing Threads in colors.  The threads came wound up in a little bundle as seen here.  Last evening, while using the Red Passing thread, it became quite entangled as it was unwound from the little bundle and became very unruly to work with. There were tangles, twists, kinks, and curls.  Thread that is unruly makes stitching impossible.

The worst part was that the kinks were starting to damage the thread. Something must be done to tame this mess!  Luckily, for some reason there was a bag of empty thread spools hanging around.  It was the perfect answer. With a little patience and care, the wild passing threads soon regained their composure, and were neatly wrapped on spools and replaced in their tiny zip-lock bags.  No more kinks, no more tangles, just smooth stitching with these passing threads.  These threads really look lovely when stitched. One little project done while waiting for kids’ homework to be handed over for a glance through.  Hum – what else is there to do?

The beautiful blue Silk Dupioni being used for the Altar Frontal has already been cut to size. But the other pieces have yet to be cut.  The before cutting the other fabrics, let’s go through the fabric choices and the reasons for their use.  The Silk Dupioni is the face fabric, visible with the Ecclesaistical Embroidery designs worked and applied to it.  The Silk Dupioni has a loose weave, and over time, the weight of the embroidery may cause the fabric to wear and shred too soon.  What to do?  Take a tip from Couture Sewing where Dupioni is often underlined. Years ago when making custom bridal gowns, I would always underline the silks, which means, cut two layers of fabric, put them together, and from that point going forward, treat them as one.  The top choices for underlining Silk Dupioni in the garment making world are to use either Silk Organza or China Silk.  Using silk organza or China Silk fabrics as underlings changes the hand of the Silk Dupioni. The folds become softer, richer, and hang more gracefully rather that being so crisp and hanging or sticking out.  The use of either of these fabrics as an underlining in the chasuble and cope would be wonderful, but we will save those vestment pieces for a later conversation.

For an Altar frontal, there are no folds or drape to the fabric unless it is a gathered or Laudian Frontal.  So what works as an underlining for these pieces?  For starters, using a fabric that does not shift as easily as Silk Organza would be an option.  Cost is another minor factor, as is adding body  without adding bulk.  The answer (I think and hope) is as simple as a selecting a polyester/cotton blend broadcloth.

The broadcloth has a firm weave, yet is still light weight. It will add body and firmness to the Silk Dupioni without adding bulk. It is not slippery, and does not shift.  So, two lengths of the broadcloth were cut and are ready to be applied to the Silk Dupioni for the Altar frontal. The fabrics will be basted together first, and then the seams will be sewn.  I readily admit that this is not a step used by other vestment makers, but the use of the broadcloth underlining is a step I am adding to my project, based on years of working with these silks in the garment industry.  It hopefully with work the way I envision, but time will tell.

The next and final fabric that I planned to cut this evening was the easiest. Cotton Canvas is used as the interfacing fabric on the stole, pulpit fall and altar frontal. The canvas will also be used as the “decking” that goes across the top of the altar and hangs down the back side of the altar. In looking through the closet, there was already one piece of canvas cut, squared, and ready to go.  This piece had been prepared last spring.  The cut piece is the correct size for the frontal interfacing. One additional piece of canvas will need to be cut for the decking.

Cotton Canvas is a very heavy utility fabric that is used on the inside of church vestment pieces such as Altar Frontals, Pulpit falls, and stoles. It is tightly woven, and adds needed body, support, structure and weight so vestments hang correctly.  Have you ever noticed a pastor’s stole where the ends just did no seem to want to hang straight and stay put – a stole that seems like the ends would up and fly away every time the pastor moved?  Or an altar frontal that looked limp, as if a sheet were flung over the altar, with no body or support?  The problem is a lack of the necessary weight and inside structure needed to maintain shape and position of the vestment piece.  Cotton canvas is the answer for that issue.  At one point in time, a linen fabric might have been used as the interfacings. But today, in the US, there is nothing readily available in a course, heavy linen  for use as interfacings for vestments. Now, in other countries, there may be fabrics of similar weight and weave that go by a different name that are suitable for these interfacings.  Dowlas is a name often mentioned as an interfacing used in the UK.

The clock strikes and it is time to end the evening’s work.  A few little things have been done to move projects forward.  Maybe tomorrow will be an earlier start. Until then, happy stitching!

Solo Dei Gloria

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