Summer Travels Italy Part II

Par Carrie R 1 sept. 2016

Here is the second church; this is the Duomo di Mantova—The Cathedral of Mantova. This church is dedicated to St. Peter and is the official seat of the Bishop of Mantova.

¹Zerwas, Ashley. Duomo Mantova Fuori 1. June 17^th, 2016. Personal Collection, Mantova, Italy.

Although this building sits on the site of an older, Early Christian era building, the current facade that we see was commissioned and overseen by a Bishop Antonio Guidi di Bagno between 1756 and 1761 A.D.

²Zerwas, Ashley. Duomo Mantova Fuori 2. June 17^th, 2016. Personal Collection, Mantova, Italy.

³Zerwas, Ashley. Duomo Mantova Fuori 3. June 17^th, 2016. Personal Collection, Mantova, Italy.

While the front may be more modern, this visible side remains the red brick and Gothic style of the renovations that were done between 1395—1401 A.D. This work had been done by the architect Masegne Pier Paolo and a Venetian sculptor Mesgne Jacobello.

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⁴Zerwas, Ashley. Duomo Mantova Inside 1. June 17^th, 2016. Personal Collection, Mantova, Italy.

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⁵Zerwas, Ashley. Duomo Mantova Inside 2. June 17^th, 2016. Personal Collection, Mantova, Italy.

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⁶Zerwas, Ashley. Duomo Mantova Ceiling. June 17^th, 2016. Personal Collection, Mantova, Italy.

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⁷Zerwas, Ashley. Duomo Mantova Organ. June 17^th, 2016. Personal Collection, Mantova, Italy.

The interior had been damaged by fire and was renovated by Giulio Romano in 1545 under Cardinal Ercole Gonzaga. The current décor, however, is in the Baroque style, showing that decoration happened again after the renovation.

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⁸Zerwas, Ashley. Duomo Mantova Altar 1. June 17^th, 2016. Personal Collection, Mantova, Italy.

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⁹Zerwas, Ashley. Duomo Mantova Altar Close. June 17^th, 2016. Personal Collection, Mantova, Italy.

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¹⁰Zerwas, Ashley. Duomo Mantova Altar Side. June 17^th, 2016. Personal Collection, Mantova, Italy.

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¹¹Zerwas, Ashley. Duomo Mantova Altar Side Close. June 17^th, 2016. Personal Collection, Mantova, Italy.

Here is the beautiful altar, covered, of course, with fair linen. The fair linen is a white linen cloth that is laid over the altar, so as not to distract from the beautiful construction underneath. Its edges, however, do hang down past the sides of the altar, extending down to within 3 or 4 inches from the floor on either end. The entire altar fairlinen has a lovely 1 to 2″ wide lace trim edging. The simplicity of the white linen and simple lace adds a nice contract to the rich colors, materials and textures of the other chancel furnishings. To use a heavily or ornately embroidered later hanging would be over kill in such a surrounding as this.

One thing to be aware of, especially with an altar that is wider such as this altar. The combination of the width and the additional length of the fairlinen that hangs down the sides can result in some ripples as seen in the photo of the fairlinen. Linen is subject to “change” due to conditions such as moisture and humidity in the air. Linen is very absorbent, and being so, what may go out on the altar as a pristine, pressed fairlinen, flat and smooth with not a wrinkle or ripple in sight, may be subject to change in an instant with a change in the weather or humidity. As long as one is willing to understand and accept this as the “nature” of the fiber, one can live and be happy with the changes in the linen.

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¹²Zerwas, Ashley. Duomo Mantova Font 1. June 17^th, 2016. Personal Collection, Mantova, Italy.

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¹³Zerwas, Ashley. Duomo Mantova Font 2. June 17^th, 2016. Personal Collection, Mantova, Italy.

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¹⁴Zerwas, Ashley. Duomo Mantova Side Chapel 1. June 17^th, 2016. Personal Collection, Mantova, Italy.

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¹⁵Zerwas, Ashley. Duomo Mantova Side Chapel 2. June 17^th, 2016. Personal Collection, Mantova, Italy.

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¹⁶Zerwas, Ashley. Duomo Mantova Side Chapel 3. June 17^th, 2016. Personal Collection, Mantova, Italy.

And here are the Baptismal font and portraits that hang above the altars in the various side chapels. It is wonderful to examine a church and see the layers of history built so closely together. Yet the history in such churches is not complete, but still alive and being built.

Beautiful ecclesiastical vestments, church art, and church architecture are not reserved for the world renowned cathedrals. Beauty is often found in places where worship still takes place on a healthy and active basis. This is because precious treasures can be found still in their original use instead of cased up—as if entombed—for tourists to view for thirty seconds before moving past. Tourists truly lack a sense of reverse and they allow this attitude to perfume an entire church, making it hard to sit and enjoy the beauty that was so carefully devised in honor of the faith. As a disclaimer, I heartily adore the bigger Basilicas, most especially in Firenze, but they feel more like museums, because they have lost that active sense of original purpose.

~Nihil Sine Deo~

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Bibliography

“Duomo.” Geoplan: Cartografia e Mappe D’Italia. Web. 2016. http://www.geoplan.it/luoghi-interesse-italia/monumenti-provincia-mantova/cartina-monumenti-mantova/monumenti-mantova-duomo.htm

“Duomo di Mantova.” Mantova Notizie. Web. 2016. http://www.mantovanotizie.com/guida-mantova/duomo

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Filed under: Church Linens, Ecclesiastical Sewing, Fair Linen Tagged: Church Linens, Ecclesiastical Sewing, Fair Linen